gridiron
by ibull
as a kid i loved football.
along with hockey and the occasional trip to Volcanoes Stadium, football was how i spend a lot of time with my dad. everyone living in the house (except my mom) had a team that they rooted for; i rooted for the Pittsburgh Steelers, brother1 worshipped the Packers, and brother2 and my dad supported the SF 49ers. my dad always gave me a hard time about choosing the Steelers—i never fully admitted that i chose the team as a 10 year old because i liked the colors of a winning (’79) team in the Madden ’99 football videogame for N64. when the team seemed to be having a good run up to and through their superbowl wins in 2006 and 2009, you can imagine how happy it made a kid-turned-teenager that her aesthetic preferences ensured she was often rooting for the winning team. i only ever got to be a fan for the sport at home or in the stands. when i, along with a friend, tried to play football during recess in 5th grade, we were ridiculed, teased, and dismissed. i already had a hard time making friends because i was overweight, so i eventually stopped. she kept playing; she said she liked the pushing and the shoving, and didn’t care what other people thought of her. i didn’t mind the physical aspects of the sport, but i couldn’t help that the words hurt. i was 10 and the new kid. i didn’t want to be 10 and the new “lesbian” kid, whatever that was. trading Pokemon and Yu-Gi-Oh! cards turned out to be a lot more fun and less alienating. as i got a little older and into high school, i started paying attention to the guys actually playing on the field. Hines Ward & Troy Polamalu turned out to be pretty cool dudes. Ben Roethlisberger turned out to be a rapist.
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yesterday i got into a convoluted back-and-forth on Twitter over football. the conversation began as a reflective commentary on the newsworthiness of Michael Sam’s recent exposure as a gay man. it devolved into a confusing and reductive exchange on the depth and complexity of football, mass media, and the relationship between to two. i think i was misunderstood as harboring the belief that football is a “simple” site of cultural production—no i don’t think that at all.
i do believe that the coverage of football culture, and the production of stories around that cultural site, refract a relatively narrow spectrum of values, ideals, ideologies that elide histories and experiences that would otherwise disrupt the illusion that football is a mainstay in American culture, that it provides men with a liberating opportunity to express themselves physically and emotionally, that the industry elevates the lives of [black] men who would otherwise wallow in the ghetto.
when we’re finished listening to the long-form documentaries that demonstrate the great perseverance, and personal strife (maybe some philanthropy, or unreasonably bad odds) of a few choice individuals, other stories we hear about football paint players & staff describe these people as both in control of violence on the field, and victims of violence off of it—victims of the violence they commit against others.
on the field violence is condoned, encouraged, championed. injuries are acts of god, or the result of malice or other illicit games. violence can be extremely physically and emotionally abusive.
off the field, violence takes the same forms. In practices football players train with each other—the training is a practice performance for what occurs on the field. not just how a play runs, but what the play experience is like.
when this violence bleeds into the personal lives of players, we see it in the news media as *”alleged”* “rape”//”sexual assault”//”sexual misconduct”//”abuse”//”domestic abuse”//”domestic altercation”//”spousal abuse”// etc.—the list goes on, and on, and on.
*
yesterday, when i wrote
i’m thinking about the ways in which accountability and responsibility are skirted around in conversations around violence and football. no one wants to be painted as holding up the big bucket of bad stuff—the concussions, the suicides, the sexual assaults, the rapes, the murders, the pedophiles, the drug[ging] problems, the alcohol problems, the animal cruelty problems, the racism, the sexism, the homophobia…. which is completely understandable, but that doesn’t make the deflection of responsibility and accountability okay—the deflection makes it worse. deflecting responsibility and accountability away from football players, staff, and fans (who financially support this behemoth) colors the football industrial complex like a guilty pleasure. we should all aspire to not enjoy football because of the prolific, endemic problems that victimize people around the players and the players themselves. but we can’t help it. like a goddamn doughnut or something—if God intended for people not to enjoy doughnuts, he would have intervened the first time some person dropped dough in a frying pan. deflecting responsibility and accountability also minimizes the impact that football players, staff, and fans can have in remedying various solutions that try to address some of the rotten structural elements on which this cultural complex is founded. couching the circumstances that lead to bullying, criminal activities, or worse under the umbrella of “the human condition” isn’t just lazy, it’s another form of violence in and of itself. when journalists, bloggers, and others in the media point to the football industrial complex and say “It’s all a part of the game,” they become complicit in reproducing the same schema that traps and victimizes people associated with it. these writers and talking heads take away the opportunity for someone to stand up and demand that players and staff be held accountable for the beds that they keep and the beds that they mess. maybe they do this because it’s what they are told to write, but maybe it’s because developing that kind of a story would be ….well, complicated.

Nice analysis here; I never thought of it like this. However, I don’t think the violent content of football is entirely at fault here, though, but rather, the huge degree of celebrity involved with the players. Basketball, a non-contact sport, has Kobe Bryant, to mention just one. Then there’s all the musicians and actors and politicians that get away with stuff that would land us Nobody’s in Siberia for a long time.
In America, we worship all our celebrities to such a degree that, if they excel at what they do, we seem to absolve them of their sins quite readily.
I like Jason VanDerBeek’s quote near the end of Varsity Blues; Football, in its pure form, is truly beautiful. It is the greed-heads that have turned it into the monster it has become. As long as Americans continue to live vicariously through its superstars, they will remain willfully ignorant (and tolerant) of their reprehensible behavior.
“In analyzing the structure and meaning of this mythology of violence, it is vital that we not confuse mythic representation with political reality. … What is distinctly ‘American’ is not necessarily the amount or kind of violence that characterizes our history, but the mythic significance we have assigned to the kinds of violence we have actually experienced, the forms of symbolic violence we imagine or invent, and the political uses to which we put that symbolism.
When history is translated into myth, the complexities of social and historical experiences are simplified and compressed into the action of representative individuals or ‘heroes.’ The narrative of the hero’s action exemplifies and tests the political and/or moral validity of a particular approach to the use of human powers in the material world. The hero’s inner life—his or her code of values, moral or psychic ambivalence, mixtures of motive—reduces to personal motive the complex and contradictory mixture of ideological imperatives that shape a society’s response to a crucial event. But complexity and contradiction are focused rather than merely elided in the symbolizing process. The heroes of myth embody something like the full range of ideological contradictions around which the life of the culture revolves, and their adventures suggest the range of possible resolutions that the culture’s lore provides.” – Slotkin, R. (1992) p. 13-14.
it is tempting to cleave away from the institution of football those athletes that fanatic media producers problematically revere and defend. celebrities and celebration are symbols and rituals, they are products of conditioned ways of recognition. finding justification in worshiping some athletes over others obscures a more profound and troubling reality—in order to worship a person, that person must be reduced to a symbol that is less than the self, a compressed and distorted representation of an idea.
this is to say, yes—I completely agree with your suggestion that celebrity worship is a problem in American culture; celebrities can be manufactured to repel or attract certain narratives about them that can make it difficult to hold those people accountable for their actions in real life. public relations has become a beautiful machine, in it’s own way. is celebrity worship THE source? i can’t agree. the larger superstructure is a stool with at least three legs, and celebrity worship—if anything, and if the metaphor holds—is but a single leg.
Wow. Thanks for taking the time to give me such a detailed reply. And your elaboration does raise some angles from which I never approached this issue before. The analogy of celebrity worship being but one leg on the metaphorical stool is a good point. You are right that it certainly is not the be-all-end-all of the football issue, and you are indeed right about the American violence issue (I can’t believe I overlooked George Carlin’s bit about the issue; our Nat’l anthem being the only one to mention “bombs”, how everything seems to be a “war” (on drugs, on poverty, etc.)). Your elaboration has certainly given me more to think about as I go to work today, and this is precisely why I like reading these WP analyses so much. Again, thanks for elaborating this point; it does add to your piece immensely!
Celebrity is the coin of the realm. Infamy, in absolute terms, is equivalent to fame, hence (at worst) terrorists and multiple murderers, at best Jerry Springer et al and reality tv. In the age of the internet, some degree of celebrity is more attainable for most than material wealth. Even though the man behind the curtain is now in full view, we choose to keep him there in hopes he’ll turn the spotlight on us. I don’t expect our investment in this kind of immortality to die off anytime soon.
You don’t imagine I’m blogging because I actually have anything to say…do you?
Or do I? After all, I posted a link to this post, and my reply.
You see how I worked that.
it is the illusion of a man that fixes the stage as stable; it is our dependency on the man that captivates our being—a desire to be as material and real and valuable as this imaginary man. but there is no man. never was.
Hmmm……clever! Sorry I had yet to get back to you on that last reply on the blog about ‘settling for less’ (and I shall do so in a moment). Your reply here brings to mind “Natural Born Killers”, where infamy is as good as fame, in spite of the negative consequences.
As far as your last sentences are concerned, on the contrary. I think you have plenty to say, and relevant, too. As for me, I blog for an outlet, something I feel elevates me above the mundane life of a blue collar grunt. As for these discussions, I value input from individuals like yourself; some folks post comments so they can prove they’re right. I post to be challenged, because i value wisdom, and feel no shame in being enlightened, or made to see an issue from a different angle.
Since lightning seldom strikes twice (even on the WWW), so I need to check out your blog.
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